Bellamkonda Sai Sreenivas is screaming at the top of his lungs while firing a ridiculously oversized assault rifle directly into an abandoned shipping container in the middle of a dusty quarry.

Stuff happens.

Let us back up because Kishkindhapuri starts out as this totally normal action flick before spinning completely out of control into some weird thriller territory that honestly reminds me of those gritty crime dramas you find late at night when you cannot sleep, though let us be real, if you are looking for classic bollywood romance or singing trees, you are in the wrong place entirely.

Our main guy Bellamkonda Sai Sreenivas plays this intense, brooding character who arrives in this sketchy town with a bag full of cash and a million grudges, and before he can even grab a cup of chai, he crosses paths with Anupama Parameswaran, who is playing this fierce local journalist who refuses to back down even when bad guys are literally smashing up her office with iron rods.

And then Makrand Deshpande shows up on screen rocking this terrifying white beard and staring blankly into the middle distance while muttering proverbs about monkeys and kings, and you cannot tell if he is the villain or just a crazy old hermit, but either way, he steals every single scene he is in.

Tanikella Bharani pops in as the corrupt local politician who chews on betel nut while ordering hits on people, and seriously, his jacket has this neon yellow zipper that doesn't match his brown trousers at all, and I swear I stared at that zipper for three straight minutes wondering who in the wardrobe department thought that was a good choice for hindi movies.

Hyper Aadi and Srikanth Iyengar provide some supposed comic relief that mostly falls flat because they are cracking jokes about property taxes while bodies are literally dropping in the background.

Honestly, the pacing is all over the place.

One minute our hero is having a wholesome chat with Anupama Parameswaran by a roadside tea stall, and out of nowhere, a random item song blasts through the speakers with zero narrative justification, forcing everyone to break into synchronized choreography in the dirt before returning to the grim business of kidnapping and revenge.

Then comes the interval block, and wow, what a chaotic mess.

Makrand Deshpande suddenly pulls out a rusted dagger and stabs a guy in the shoulder right inside a crowded village marketplace, and the screen just freezes on Bellamkonda Sai Sreenivas screaming no in slow motion while a synthesized guitar riff screams over the speakers.

God, the second half just goes off the rails entirely.

Secrets about the town's underground smuggling ring come tumbling out in the span of five minutes through a horribly edited flashback sequence where everyone is wearing bad wigs, and boom, Anupama Parameswaran gets kidnapped by Tanikella Bharani's thugs and locked inside a crumbling temple full of bats.

Bellamkonda Sai Sreenivas has to fight through fifty henchmen using only a metal pipe and sheer anger, taking out guys in warehouse aisles, jumping off scaffolding, and getting hit by flying chairs while blood splatters across the camera lens.

They finally rescue Anupama Parameswaran, but wait, Makrand Deshpande reveals he was the mastermind behind the missing gold all along because his family was cheated out of their land back in nineteen ninety-eight.

Srikanth Iyengar gets tossed off a cliff by a random extra.

Bellamkonda Sai Sreenivas corners Makrand Deshpande in the collapsing temple ruins as fire spreads everywhere, and after a brutally exhausting fistfight that leaves both actors covered in real dirt and fake sweat, Makrand Deshpande lunges with a knife, gets blocked, and collapses onto a sharp stone pillar, dying instantly while whispering an apology to his dead ancestors.

Bellamkonda Sai Sreenivas and Anupama Parameswaran walk away into the smoky horizon together without looking back once at the burning ruins.