Sunil Pal is screaming at the top of his lungs while holding a burning plastic folder right inside a dimly lit office that looks like it was decorated by someone who found a bunch of 90s corporate calendars in a dumpster. Acid is wild. That is the only way to start talking about this specific piece of cinema because honestly nobody warned us about the sheer volume of yelling in this movie. Let us back up just a second though because before Sunil is losing his mind over some paperwork, the whole story starts with Priyanka Singh walking into a room wearing a jacket that has entirely too many zippers and she is looking for justice or revenge or maybe just a working coffee machine, who even knows with these low budget thrillers.

Priyanka plays this fierce character who is wrapped up in corporate sabotage and corruption that goes way higher than anyone expected, and by higher I mean like, the owner of a poorly ventilated warehouse and a guy who clearly skipped acting classes at the local community center. Look, hindi movies have always loved a good revenge plot, but this one hits different because half the audio sounds like it was recorded inside a metal bucket during a hailstorm. Sunil Pal shows up as this comedic relief turned serious antagonist or something equally confusing, and his delivery is so flat you could slide a piece of paper under it.

Stuff happens. People shout at each other across desks. Priyanka glares intensely at a potted plant that is clearly dead. And then boom, out of absolute nowhere, a high energy dance number starts playing with backup dancers wearing neon tracksuits that clash horribly with the gritty industrial aesthetic of the supposed crime scene. Bollywood movies love dropping a random song right when the tension is peaking, and this one makes zero sense because Priyanka is supposedly running for her life from bad guys, yet here she is doing choreography next to a forklift.

Let us talk about the background extra near the water cooler during scene four because that guy is wearing a mustard yellow sweater with holes in the elbows and he isn't even pretending to drink water, he is just staring blankly into the middle distance while Priyanka and Sunil have a massive shouting match about embezzlement. That sweater deserves an award for worst wardrobe choice in the history of hindi films. And then in the exact next breath, the main villain gets arrested off screen and everybody just moves on like it is no big deal at all.

We hit the interval block right when things are getting kind of loud and annoying, and honestly the intermission graphic looks like it was made in Microsoft Paint using WordArt from 1998. God, the editing choices here are fascinatingly terrible. The second half kicks off with a car chase involving a Maruti hatchback that is driving way too slow to look dangerous, but the sound effects team layered over it sound like a Boeing 747 taking off inside a tunnel.

Priyanka corners the final bad guy in a basement that smells like damp concrete and old VHS tapes, and she delivers this epic monologue about betrayal while he just stands there blinking and sweating under three massive halogen lights. Sunil Pal runs into the room waving a pipe for no apparent reason, trips over his own shoes, and crashes directly into a stack of empty cardboard boxes. Priyanka doesn't even flinch, she just keeps right on yelling her lines directly into the camera lens with mascara running down her face. She grabs the villain by his cheap polyester collar, throws him backward through a flimsy plywood door, and the screen cuts abruptly to a black title card that says the end while terrible techno music blares out of the speakers.