And then boom, we are thrown right back into the actual plot of The Power which is basically this sprawling, messy, deeply chaotic crime drama set in the dark underbelly of the underworld where everything is about loyalty, blood, family feuds, and guys in sharp suits glaring intensely at each other across giant wooden tables.

Salil Ankola pops up looking extremely serious and brooding while playing a crucial part in this whole mafia syndicate mess that basically controls half the city, and frankly, if you have ever tried keeping track of all the endless uncles, rival bosses, betrayed lieutenants, and shady henchmen in typical bollywood action flicks, you already know your brain is going to turn to mush about twenty minutes in because they introduce like forty characters in one single scene without ever explaining who is related to whom.

Sonal Chauhan enters the frame looking glamorous as ever, playing the emotional anchor or whatever, but honestly her character gets dragged into this ridiculously convoluted web of vengeance because the men in her life cannot stop shooting each other over pride and territory.

We watch these endless scenes of people whispering secret plans in dimly lit warehouses, pouring scotch into heavy glass tumblers, and staring out rain-streaked windows like they are auditioning for a dramatic perfume commercial, and just when you think someone is actually going to explain what a cash stash or a missing shipment has to do with the overarching narrative, a loud, totally out-of-nowhere romantic track blasts through the speakers and everyone starts dancing in slow motion for no logical reason.

That brings us straight to the interval point, which hits right after a major character gets betrayed and shot multiple times in an elevator, leaving us staring at a giant red screen that says interval while chewing on our overpriced popcorn and wondering how on earth the writer is going to fix this absolute disaster of a plot in the second half.

Look, stuff happens so fast after the break that a major life-altering betrayal involving a stolen billion dollars and a fake passport gets wrapped up in one single rushed sentence while the camera slowly zooms in on a painting of a horse for ten unbroken seconds.

Characters keep switching sides every five minutes, secret alliances are formed over spilled tea, and nobody seems to care that half the henchmen disappear entirely from the movie without any explanation whatsoever.

Shruti Haasan spends most of the runtime looking exhausted and done with everyone's nonsense, which honestly matches my exact vibe while watching these kinds of heavy-handed hindi films that take themselves way too seriously despite making zero narrative sense.

God, the editing gets so choppy during the climax that you can actually spot boom mics dipping into the top of the frame and stunt doubles who look nothing like the main actors getting tossed through glass coffee tables.

Salil Ankola walks into the final showdown holding a massive shotgun that he definitely didn't have five seconds earlier, muttering some cheesy line about family before blasting the main antagonist through a stained-glass window.

Sonal Chauhan drops to her knees and screams into the pouring rain as police sirens wail in the background, signaling the abrupt end of the carnage.